The record, 30 mars 2007, Supplément 1

.INSIDE Diïberfs J • sellout see Page 2 Here’s the Requiem Bach never wrote Talk Weekly Guide to Arts & Entertainment in the Eastern Townships An Amadeus Choir rehearsal (plus musicians) helps prepare for a tough performance.Please see Choir on Page 4 THE RECORD, March 30 - April 5, 2007 Heavenly opus By Thomas Ledwell Record Correspondent T|he Amadeus Choir will put a different twist on the music of Johann Sebastian Bach at its annual spring concert in Sherbrooke this weekend.The composer’s famous cantatas have been arranged into a Requiem.“I listened to the 200 cantatas, and I found there are a lot of themes that we find in the Catholic liturgy about Requiem, in the cantatas,” said choir conductor Francois Panneton, who pieced together certain arias and chorals by Bach to fit the tenor of what he wanted.“All sacred cantatas by Bach are written in German.I removed the German text, and I put in the Latin text that comes from the regular Requiem." The Requiem is a Roman Catholic or High Anglican church service where people pray for the salvation of someone who has died.The Latin texts Panneton used to build the Bach one are from the traditional Mass.“It’s writing with pictures of paradise, pictures of redemption, pictures of war.It’s very rich," he said of the images conjured by the words.The Requiem is difficult, but Panneton said his singers are up to the challenge.“There is choral virtuosity in this.Not all of my choirs can do that, but I know they can.They’re so talented,” said Panneton, who also directs groups in Montreal and Granby.“This Sherbrooke choir is my best.I have good sight-readers in the choir, so they work very fast.It’s very stimulating for me.” That's high praise for the group, which is composed mostly of amateurs.The members of Amadeus are teachers, doctors, and museum staff, though many have musical backgrounds.Panneton says that’s a great advantage when tackling more challenging PERRY BEATON INSIDE Buddy movies see Page 7 Inside: Willie Nelson (twice) • Cool cars • RVing in Granby iTHfii page 2 March 30 - April 5, 2007 RECORD American Idol ice cream Pop culture on a cone By Misty Harris CanWest News Service Just when you thought celebrities couldn’t become any more intrusive, they invade the dairy case.In the last two months, ice cream manufacturers have introduced flavours branded after everyone from Comedy Central host Stephen Colbert to Nashville outlaw Willie Nelson.There’s even a line of American Idol ice cream, appropriately featuring tastes such as Hollywood Cheesecake.Although this year marks the 20th anniversary of mass-market celebrity ice cream — Ben & Jerry’s Grateful Dead-inspired Cherry Garcia made its debut in 1987 — the International Dairy Foods Association says the gimmick is only just starting to reach fever pitch.And Kim Lopez-Walters, senior food and beverage strategist at Iconoculture, a Minnesota-based consumer research and advisory firm, says much of what we’re seeing is part of the individualization of commercial culture.“You can personalize the (dessert) experience,” she says.Buying your favourite star’s ice cream is a way of saying “this is who I am and I’m reinforcing my identity with what I’m eating.” In the last two decades, Canadians’ interest in ice cream has dropped by about 26 per cent.According to Statistics Canada and the Canadian Dairy Information Centre, the average per-capita consumption of hard and soft ice cream in 1986 was 12.19 litres; by 2000, that number had sunk to 8.63, rising only slightly in the following years to 9.66 litres in 2005.Lopez-Walters, a 17-year veteran of the food and beverage industry, believes pop-culture labeling may take the chill off sales, but isn’t convinced it will reverse the long-term downward trend.“I don’t necessarily think ice cream is going to see any increases,” she says.“You have chocolate, you have Star-bucks, you have (U.S.smoothie chain) Jamba Juice — all of these things are competing for that share of stomach and share of craving.” But for sheer publicity, celebrity tie-ins are generally a good bet.Since Ben & Jerry’s introduced Stephen Colbert’s AmeriCone Dream in early March, for example, the ice cream has earned nearly 90,000 Google hits, been name-dropped numerous times on Colbert’s hit show, and made headlines in media outlets as diverse as Rolling Stone and Access Hollywood.Ben & Jerry’s got even more publicity ETgVîT %*.,,;»» * -*4,1 dvr> Dispatches from Cubideland when they unveiled Willie Nelson’s Country Peach Cobbler and Colbert promptly declared war on the rival celebrity’s dessert, jokingly sniping that Nelson’s ice cream was made from “shredded tax forms and hash.” Coincidentally, the country crooner’s ice cream was pulled from shelves shortly after its launch because it contained an unlisted ingredient; not grass, but wheat.As for Dreyer’s American Idol-themed launches, which hit stores in February, the ice cream company tells The Hollywood Reporter the new flavours have already led to a year-overyear increase of more than 20 per cent.Dreyer’s has promised the most popular of its five American Idol flavours will become a permanent addition to the Slow Churned lineup.As for the longevity of fellow pop-culture ice creams, however, an industry insider warns consumers not to hold their breath.“The majority of novelty flavours are just a flash in the pan,” says Miranda Abney, spokeswoman for the International Dairy Foods Association.“For certain age groups, the label has a lot to do with (purchase decisions).But most people’s favourites never change.Every year, we compile data to see what the most popular types of ice cream are and every year, no matter what changes in advertising, the top spot is always vanilla, second is always chocolate and third is always Neapolitan.” In addition to Cherry Garcia, previous pop culture-powered ice creams have included Festivus, for Seinfeld enthusiasts; Dilbert’s World Totally Nuts, for fans of the comic strip; One Sweet Whirled, for Dave Matthews Band devotees; Phish Food, in honour of the do-go o din g Vermont rock band, and Wavy Gravy, inspired by the Wood-stock Festi-v a 1 personality of the same name.All ofem have ice creams.What kind of pop culture eater are you?DILBERT'S GUIDE TO THE REST OF YOUR LIFE mmimm ¦ THE, Constantino] 07 SEASON AT CENTENNIAL THEATRE, BISHOP S UNIVERSITY Enjoy a wonderful year at Centennial Theatre ! Call us at 819 822-9692 to purchase your ticket.www.ubishops.ca/centennial Québec ! 88.91» RECORD March 30 - April 5, 2007 page 3 TALK 1——————- Seeing the even bigger picture • Sinha Danse Movie money to be donated By Claudia Villemaire Richmond The Big Picture Project, run by a group of local young adults who are mixing an entrepreneurial education with bringing English movies to the Richmond area, will donate the proceeds from some of April's film showings.“Now, with the movie project, we are able to first of all prepare publicity, practice our marketing and, most especially, designate three film presentations as benefit showings for specific people,” Patrick Plante says.Money from the Thursday, April 5 double bill, Ice Age 1 and Ice Age 2, are earmarked for the Children’s Wish Foundation.Admission, normally $4, is left up to the generosity of the moviegoers.The show begins at 2 p.m.On Saturday, April 7, Charlotte’s Web (the new edition), begins at 2 p.m.The regular admission of $4, or $3 per person for a family of four or more, is charged this day.On Tuesday, April 12, The Wizard of Oz is another fundraiser for theChil-dren’s Wish Foundation.Once again admission price is left up to the audience.Saturday, April 14 will be a specially chosen presentation in memory of Sean Patrick, a recent victim of a fatal car accident.This day is a tribute to Patrick, with funds raised going to the Kidney Foundation Canada.Saturday, April 21 is a tribute day to Arthur Rivard, also the tragic victim of an automobile accident and a friend to this group of youths.Money raised will go towards a bursary in Rivard’s memory.The funds will be added to a bursary awarded annually to a Richmond Regional High School graduate.The program continues Saturday, April 28 with Monster House, May 5 with the animated Cars and May 12 with Pursuit of Happyness.The curtain rises at 2 p.m.for each movie and snacks and treats are always on sale.The eight young adults of The Big Picture are honing their skills and expanding their employability.Learning about teamwork and working in partnership with local businesses, the group has made it possible to provide this community with a recreational outlet for the whole family right in their Patrick Hante says the group is mixing a business education with community spirit.home town.All the movies are shown at Richmond Regional High School.“We’ve been visiting just about every organization that exists around here including service groups, businesses and industry,” Ben Doyle said.Big Picture'Project was set up with funding by Service Canada, and supported by the Lennoxville and District Women’s Centre, Job Links, Carrefour Jeunesse Emploi and the Townshippers’ Association.CLAUDIA VILLEMAIRE CENTENNIAL THEATRE COME AND SEE • De Castille à Samarkand with Constantinople Saturday, March 31st • 8 pm Travel through the fifteenth century from Spain to Turkey with four superb musicians who dedicate their art to the research of ancient music and the way it was played.¦ Apricot Trees Exist with Sinha Danse Tuesday, April 3rd «8 pm Inspired by the luminous visual poem Alphabet by Inger Christensen, choreographed by Roger Sinha.Pre-show chat in the lobby with Roger Sinha at 7:15pm.Memphrémagog MRC A SLIMMING DIET FOR TRASH Free Public Lecture Garbage! According to Mrs Monique Clément, the speaker, we generate an awful lot of it.far too much! In the MRC of Memphremagog alone, nearly 50,000 tonnes of garbage from all activity sectors go to the dump every year.That’s more than 60 garbage truckloads per week! When you think that nearly 80% of the content of our garbage bags could be recovered, reused or recycled, there is good reason to think about it.Contents of the talk: Based on the principle of the 3 Rs and V (for value added), this talk presents various ways to reduce garbage, whether by recycling, composting, reduction at source or re-use, without forgetting proper management of hazardous household wastes (also called RDDs).The speaker will hand out sheets of reducing recipes for household trash on a diet! Where and when • Tuesday, April 24, 2007 ¦ 7 p.m.¦ Town hall Township of Potton ¦ 2 Vale Perkins Road Mansonville Register with The info-environnement hotline at the MRC de Memphrémagog (819) 843-9292 Ext.63 iTHEi page 4 March 30 - April 5, 2007 RECORD TALK Garbage pick-up to the music Check out the bus CJMQ will be providing music for the upcoming Rubbish Pick Up Day, to be held April 14 in Lennoxville.It is the be-ginning of another season of weekly visits throughout the Townships attending various events.If you would like CJMQ to attend an event in your part of the Townships contact us at 819-822-9600 ext.2298.We also announce all not-for-profit events free of charge.If you haven’t visited our website lately you’re in for a treat; it has been complete revamped with many new features.In the interview section, you can listen to complete interviews aired on CJMQ.There is even an archive section containing all the interviews we have done since the inception of the new website.The schedule and playlist areas have CJMQ, 88.9FM David Teasdale been beefed up with many new features, so be sure to take a look.The CJMQ bus will sport a new look as of this week.Our logo will be added to the sides, front and back of the bus, giving it new zest.When you see us on the road be sure to wave; if you see the bus at an event be sure to drop by to say hello.It is al- - ways a lot of fun to meet with our listeners.Our transmitter project is going well, and donations are continuing to come in.Demonstrate your support for English-language broadcasting in the Townships by sending your donation to CJMQ, 2600 College St., Sherbrooke, JIM 0C8.Tax receipts are available upon request.We would like to thank those of you who have already given.We would also like to wish all of you a very happy and safe Easter.David Teasdale is the station manager OF CJMQ 88.9 FM.“My purpose is that the choral world should lcnow that music,” he said of the Bach cantatas that are the foundation of the .Requiem.“They usually start with a choir, then there are 20 minutes of solo [instrumental] movements.” Panneton said this might well be the first time someone has used Bach’s music as accompaniment for a Requiem in more recent times.But he said the great composer himself used his cantatas as the basis for a Catholic Mass he scored.“He picked up the cantatas and he removed the German text to put in the Latin text.He did it for a Catholic Mass, though we know he was a great Luther- Lennoxville Elementary School DANCE (proceeds going to upgrading our playground) Saturday, March 31 at 9:00 p.m.at the Hut (Army Navy) 300 St.Francis, Lennoxville Music by Slightly Haggard $6.00 at the door - $5.00 in advance DOOR PRIZES To purchase tickets in advance or make a donation to the playground please call: Kelly Me Bean 819-820-8089 June Suitor 819-837-2289 Jennifer Sylvester 819-837-2265 You can also purchase tickets at these businesses: P.M.L., Paradis Garage, Tri-Us, Clarke & Sons, The Hut, Terry Beattie’s Barber Shop or L.E.S.§ an.“At the end of his life he felt that he had something to give to the whole world,” said Panneton.“It was my inspiration.” The Amadeus Choir will perform The Requiem at the Mary Mediatrix Church in Sherbrooke at 3025 Galt St.W.The performance will take place on Saturday, March 31 at 8 p.m.Tickets are $20 in advance or $25 at the door.Choir: Cont’d from Page 1 music.“With an amateur choir that does not read music it takes four or five months at least.With Amadeus it took three.” The singers will be accompanied by a small group of musicians performing flute, violin, bass, and cello.Bach’s music is ordinarily performed by larger orchestras, but Panneton employed a small group of instruments to give an intimate feel.Origami: Cont’d from Page 5 two.“Somewhere deep inside my head I’m probably doing a lot of these analyses.But when I decide I want to design something.I’ll do some research on the shape and the form, and I’ll decide how I want these shapes to look.And from that point, it takes about a minute for the finished form to appear in my head, but it’s not tangible.“I still actually have to pick up a piece of paper and start working through it.It’s very fluid at that point: I start with a square [piece of paper] and I know where it’s going to end up, and then the process is just to figure out how to get there.But the actual design process has actually happened in that first minute.” The most complex figure he has ever done, a dragon, took him about 20 hours of folding.Monday afternoon he was pre-creasing a piece of paper to make a toad, something he was doing for his own enjoyment and that he calculated would take him about three hours of folding.The rules of origami' are relatively simple.A single piece of paper, no cutting, no gluing, no adding on extra pieces (except for one specific type of origami, called modular origami, in which identical shapes are combined to form geometrical figures — the one area of origami dominated by female artists).“Technical origami, especially, has always been a young man’s domain, so the young-man mentality is very strong,” Wu says.“The need to show off: That’s what has driven a lot of the technical advancement of the art.You get young men [one-upping] one another: ‘Whoa, I can do a better whatever than you can.Check out these new techniques I just came up with.’ “There’s definitely a place for that because it’s given us the ability to do so much more with a sheet of paper — pushing the boundaries of what’s possible technically.But the more serious artists in the bunch now are trying to find ways of expression beyond ‘Look at what I can do.’” Wu may have a future origami artist in his own family.His two-year-old son, Michael is showing some interest in folding games with paper.Normally children younger than six lack the manual dexterity for origami.Wu was an exception, starting at three.Perhaps Michael is too, a “next generation” that will bring an ancient craft one step closer to artistic maturity “It’s very exciting to be at the growth end of an art form,” Wu says.“I tell people we’re in the renaissance of origami and that this is the time to be doing it.Because we are the ones pushing the boundaries, defining what the art form is and will be.That’s really exciting.” English movies this week The Big Picture Project Here s a quick look at the English- Richmond Regional High School language flicks playing in the Townships this week.Please call the theatre 819-826-3702 first to confirm.• Indépendance Day March 31 at 2 p.m.Galaxy Cinéma • Ice Age 1 and Ice Age 2 Sherbrooke 819-821-9999 April 5 at 2 p.m.Theatre Lac Brome-Arts Knowlton • 300(116 mins.) Knowlton 1:10 p.m., 3:50 p.m., 6:50 p.m„ 9:50 p.m.450-242-2270 • Quinceanera (English and Spanish with English subtitles) Sunday, April 1 at 5 p.m. iTHEi RECORD March 30 - April 5, 2007 page 5 TALK ——= Folded sheets Origami bigs hot By Michael Scott Vancouver Sun Joseph Wu has been folding paper since he was three years old.That’s a lot of paper cranes.And rabbits and dragons and frogs and roosters and swans and cellular phones and Volkswagen Beetles.Hold on.Cellphones and VW Beetles?Wu, who played a lot of Dungeons and Dragons as a kid and was trained as a scientist, is parlaying his early childhood fascination with origami into a successful career as an artist and commercial illustrator.He takes a sculptor’s approach to paper folding, pressing hard on the technical limits of what this ancient Japanese craft can accomplish, and the intellectual freight it can be made to carry.His innovations have earned him international recognition and a steady income from clients such as Volkswagen, Intel, the Nagano Olympics, Stolichnaya Vodka and many other recognized brands.He has become a celebrity in the world of origami, with one of the Internet’s most-visited origami sites (www.origami.as).His commitment to origami as an art form won him a commission to create an origami-themed play for the spring of 2008, tentatively entitled The Life of Paper.Increasingly, he has to rattle a legal sabre at commercial imitators attempting to pass off his designs as their own.“Origami is growing very quickly, now,” Wu, 36, observed this week, in the sunny dining room of his Douglas Park home in east Vancouver.The grey-and-white house on the corner, behind its picket fence, is as precise and orderly as one of Wu’s tiny sculptures.“The Internet has been a big part of that growth.The ability for people to show pictures of their work very easily to a very large audience has sparked interest.The availability of diagrams [systematized instructions for replicating a design] is increasing online as well.“And definitely, I think the art form is maturing.Actually the maturing of the art has paralleled my own maturity as an artist.When 1 was younger and I first discovered that there were other crazy people like me, we would sit down and talk about, ‘Wow, that’s such a cool pattern on your frog, or whatever.Show me how you did that.’ “The younger people in origami now are talking at that level.But those of us who have been working at it longer, there’s a bit more maturity now.We’re discussing subjects as opposed to techniques.We’re discussing things like developing a sense of artistry, as opposed to focusing on ways to achieve more and more [technical] complexity.Origami is a Japanese phrase that melds the word oru, meaning to fold, with kami, meaning paper.Cultural historians disagree whether it is an indigenous Japanese craft, or if it arose earlier in China, but either way, it is the Japanese village form of paper folding that is best known today.For centuries, it was a modest domestic decorative craft, associated largely with women.Then in the 1930s a paper-folding Mozart appeared and revolutionized the form.Akira Yoshizawa, who died two years ago, is considered the greatest origami innovator of all time.He took the quiet craft of folding paper cranes for Shinto ceremonies, and created an art form.His folded-paper figures have a surprising ability to suggest living creatures, a quality that makes his work instantly recognizable.How he did it is hard to decipher.In the same way that a master brush painter can flip a fish into life with a slim stroke of ink, Yoshizawa could animate a folded-paper mouse with a detail as tiny as the way a paw is tilted.Yoshizawa lived to see his work exhibited at the Louvre.It was one of Yoshizawa’s books that got Wu started folding paper when he was three.“I’m looking to find ways to bring more life to what I do,” he says.“My goal is to find some of that elusive quickening that Yoshizawa has in his work.“I’d like to actually say something with my art.Every paper folder makes animals, everybody makes things: I want to do more than that.To this point, as another origami artist has said, we’re just model makers.Too many of us are focusing on technique.And even those cf us who are trying to push beyond that level, we’re not quite sure how to get there.” Clearly the fraternity of origami artists (and it is, still, largely a fraternity, with few women masters) is getting closer to that point of artistic breakthrough.Wu’s best work has a refinement of surface that is compelling: the scaly hide of a dragon, suggested through a minute network of triangular creases, for instance; or the loose hide of a bulldog at play, conjured perfectly by the rounded form of paper that is temporarily wetted during the folding.And there are definitely glimpses of Yoshiza- wa’s liveliness in the bulge of a di: nosaur’s muscular leg, or the proud posture of a giant toad, or the minute layering of an origami oyster shell.Wu collects the work of other masters, compelling in different ways.Kansas-based librarian Joel Cooper folds faces and abstract pavement-type patterns known as tessellations.Wu has one of Copper’s heads, a lordly Babylonian with wavy beard, strangely lifelike even though it is clearly made out of folded paper.The mask of Nebuchadnezzar, a Babylonian king, seems to breathe because, as Wu points out, Cooper has included slight imperfections, a crease on side of the face a few millimetres shorter than it’s twin on the other side, for instance.The intricacy is extreme, and all the more perplexing when one recalls the entire face could be unfolded, back to a single flat sheet of tan-coloured paper.Eric Joisel is a French artist who uses foil-backed paper to fold a fantasy world of elongated figures.The foil holds the paper in curves and gathered pleats it would not otherwise sustain.Wu, who says great origami artists generally have obsessive natures and a high tolerance for repetitive tasks, says the best part of the art form for him is the way it merges the mathematical or analytical side of the brain, with the creative side.“Most origami artists' fall into one of two categories,” he explains.“There are the ones who do what they call ‘doodling.’ They just play around with paper until it sort of looks like something, and then they try to make it work.“The other category is the technical paper folder who will look at the geometries and plan things out.One of the leaders in that is Robert Lang, who’s actually written computer programs to help him analyse the geometries of things.And I’m somewhere off in another direction, sort of between the Please see Origami on Page 4 SearsIraveL/ ISCOVER EUROPE WITH THE EXPERTS! 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