The record, 4 mai 2007, Supplément 1

Talk Weekly Guide to Arts & Entertainment in the Eastern Townships INSIDE Star Wars turns 30 see Page 8 INSIDE Johnny Reid at The Piggeiy see Page 15 A THE RECORD, May 4 - May 10, 2007 Recreating infamous gig that ended in a riot A Genesis tribute By Thomas Ledwell Record Correspondent The highs of the rock and roll lifestyle inspire many fans to want to step into the shoes of their rock star heroes.But only the rare band of rockers prompts its followers to take the jump from wanting to be like them, to actually attempting to be them.The ’60s-born progressive rock group Genesis left that lasting affect on its fans.The group Turn It On Again — named after a Genesis song, and a greatest hits album - will bring their homage to the great musicians to Sherbrooke's Granada Theatre tonight.“Back when I was 14, I fell in love with this music.Particularly the character of Phil Collins," said the tribute band’s drummer and lead singer, Martin Levac.“I was blown away by his performance, his drumming, and his voice.” Levac is a musician at heart.He began playing drums along with his father’s records when he was a child, and the love of music never waned.Levac said he ventured into the business to create his own music, and ended up becoming a professional drummer playing a variety of cover tunes.A little more than five years ago Levac took on the persona of Phil Collins.“People used to call me Phil, because 1 was a big Phil Collins fan.I could imitate him quite well.I even switched Please see Genesis on Page 5 COURTESY Head games: Martin Levac is Phil Collins as the Genesis superstar was back in 1982.Inside: Food for fussy kids • Obsolete TVs • Lord of the Flies JOHNNY KeiD IN CONŒRT Saturdayi May 19th Kill* - tickets available tidxom wwwxmtcanadaxom Tartan Army Fan dub »p ?lit* - sold out Ticket price: '37 pp/tx inc.Pi ease reserve at i TH F., page 2 May 4 - May 10, 2007 RECORD - TALK " For kids Food Whining & Dining, by Emma Waverman and Eshun Mott jüj y m y the Families Who Lp' k WITH 100+ ^ DELICIOUS FAMIIY-FRIENDIY .RECIPES EMMA WAVERMAN &, ESHUN MOTT Warming up children to nutritious eats By Shelley Boettcher CanWest News Service Ask most parents about their children’s eating habits and chances are they’ll have a complaint, or maybe 10.Toronto moms Eshun Mott and Emma Waverman are no exception.When their three oldest children were toddlers, they had a long list of what they’d eat and not eat.One child, for instance, wouldn’t eat anything mixed together; each food had to be presented separately on his plate.A stir-fry?Out of the question.One enjoyed cold corn and mashed potatoes — but only if the potatoes were in the pot they were cooked in.Another didn’t like sauce touching his food.One didn’t like meat.And they all went through stages when they refused to eat anything that wasn’t white; bread, noodles and milk ruled the day.Frustrating?Definitely.No parent wants picky kids, especially parents who make their living in the food industry.Waverman is a second-generation food writer whose mother, Lucy Waverman, is one of Canada’s best-known food writers.Mott, on the other hand, is a chef and recipe developer.The two young moms would get together periodically and, because they’re both food-lovers, conversation inevitably turned to what they fed their children, who, at the time, were three and two years old.“We’d just start to complain about how picky they were,” recalls Waverman.“But all the resources we could find were boring and dry, and made us feel guilty that our kids were eating such limited foods.Nothing approached the topic with a sense of humour.” That’s when the subject of a book came up, one that would help other parents figure out how to make and introduce good, nutritious food to their kids.“Luckily our agent also had a picky eater,” says Waverman.“She sent it off to Random House, and the editor also had a picky eater.” A need had been identified and a deal was quickly in place.This spring, the two friends are celebrating the release of their new book.Whining & Dining (Random House Canada).It’s filled with recipes and advice on how to teach kids about the joy of good food.Not surprisingly, neither Waverman nor Mott subscribe to the “eat every- thing that’s on your plate” rule.“As a child, I found lots of ways around that, which is why I don’t believe in it,” explains Mott.“I’d wait till everyone had left the table and I’d stick it in the plants or flush it down the toilet.” Instead, they get their kids to help buy groceries and prepare the meal.Then, they present it on the table.They don’t make a big deal out of it.The food is just there, and everyone is free to eat what they want.“We’ve found that the kids who eat the best are the ones whose parents just made dinner, set it down and left it for everyone,” Mott says.Popular choices are homemade pizzas, so everyone can choose their favourite toppings.Fajitas are similar in that everyone can assemble their own with ingredients they like.Ultimately, the point of the book is to figure out how to get kids to eat a range of healthy foods.Along the way, they hope to make mealtime for Canadian families healthier and less stressful.So, did it work?Most of the time, they say.The kids now eat sauce — especially when it’s chocolate.Another uses spring rolls “as a conduit to get the sweet sauce to his mouth.” “My kids aren’t perfect,” Waverman laughs.“But I wouldn’t say they’re on the all-white diet anymore.” “Kids love potatoes, but turnips?Parsnips?” write Waverman and Mott.“The funny thing is, these other vegetables in the root family are actually sweeter than potatoes, especially when roasted.So try to sell them on the candy factor.” Roasted Root Vegetables Makes 4-6 servings 7 large white turnip (about 10 oz), peeled and cut into 1/2-inch (1 cm) dice 1 lb (500 g) parsnips (3-4), peeled and cut into 1/2-inch (1 cm) dice 2 tablespoons (25 mL) olive oil 1 tablespoon (15 mL) chopped garlic 2 teaspoon (10 mL) sugar Salt and freshly ground pepper 3 sprigs fresh thyme Preheat oven to 425 F (220 degrees C).Combine turnip and parsnips in large bowl.Toss with olive oil, garlic, sugar and salt and pepper to taste.Place in a 9-by-13-inch (23 by 33 cm) baking dish and tuck in thyme sprigs.Roast vegetables, stirring occasionally, for 45 minutes or until tender and browned.Discard thyme before the children see it, and serve.OK, your pickiest kid may not love the thought of “sour” cream, but chances are good they’ll eat something from this meal, even if it’s just a warm tortilla and maybe some grated cheese.Fajitas with Guacamole, Salsa and Fixin’s Serves 4 2 tablespoons (25 mL) olive oil 1 tablespoon (15 mL) fresh lime juice 2 teaspoons (10 mL) chopped garlic 1 teaspoon (5 mL) ground cumin 1 teaspoon (5 mL) chili powder Salt and freshly ground pepper 1 lb (500g) boneless, skinless chicken breasts (two breasts) OR strip loin, cut into 1/4-inch (6-mm) thick strips 6-8 10-inch (25 cm) flour tortillas Guacamole 1 large avocado (or 2 small) 2 teaspoons (10 mL) fresh lime juice 1/2 teaspoon (2 mL) chopped garlic Salt Salsa 2 teaspoons (25 mL) chopped red onion 1 cup (250 mL) chopped tomato 1 tablespoon (15 mL) olive oil 1 tablespoon (15 mL) red wine vinegar 1 tablespoon (15 mL) chopped coriander Salt Vegetables 1 tablespoon (15 mL) olive oil 1 small onion, peeled, halved and thinly sliced 1 green pepper, halved, seeded and thinly sliced 1 red pepper, halved, seeded and thinly sliced Salt and freshly ground pepper Sides 1 cup (250 mL) grated Cheddar or Monterey Jack cheese 1/2 cup (125 mL) sour cream Combine 1 tablespoon (15 mL) of the olive oil, lime juice, garlic, cumin, chili powder and salt and pepper to taste in a medium bowl.Add chicken breasts or beef and toss to coat.Allow to marinate at room temperature while you prepare the side dishes.Heat oven to 250 F (120 C).Wrap tortillas in foil and place in oven to warm.• Guacamole: Mash avocado with lime juice and garlic; season with salt to taste.Reserve.• Salsa: Combine red onions and tomato with olive oil, vinegar and coriander.Season with salt to taste.Reserve.Heat a large frying pan over medium-high heat.Add chicken or beef; saute for 4 minutes or until meat is slightly browned and cooked through.Remove meat from pan and cover to keep warm.• Vegetables: Add remaining oil to pan.Add onions and green and red peppers.Saute for 5 minutes or until vegetables have softened and are slightly browned, scraping the bottom of the pan to incorporate any caramelized chicken or beef juices.Season with salt and pepper to taste.Place chicken, vegetables, guacamole, salsa, grated cheese and sour cream in the centres of the warm tortillas.Roll up and eat.Chickpeas are high in fibre and protein, making these crispy little treats a healthy snack for kids.Caution: these crunchy chickpeas can cause choking, and aren’t recommended for children under the age of three. RECORD May 4 - May 10, 2007 page 3 TALK ===^^=— Sending rock ’n’ roll back to school Music to soothe the savage drop-out rate?By Maurice Singfield Special to Tut Record I was a wannabe rock star when I was in high school, a product of the times.My parents had a space in the basement for me, my brother Bryan and our friends to practice in, and my father would rent a trailer to haul our equipment around from show to show.The interesting thing about those days — and we are talking about the late '60s — was that we used to play mainly at high school dances and never in bars.Every weekend and often twice, Friday and Saturday, we would play in school gymnasiums or civic centres throughout Quebec.There was never a shortage of work, like young musicians are faced with today.Our booking agents, Pierre Gravel out of Granby and later Donald Tarlton from Montreal (Donald K.Donald or DKD), would contact student councils throughout the province and book our weekends.It was a great way to earn extra money, gain professional experience and develop our talent while we were still in school.Gradually, all of this changed as the ’60s started to affect the high school scene.By the time the 1970s arrived, dances had become uncontrollable and were pretty much a thing of the past.As a result, young musicians began relying on the bars as their main source of bookings.What a great idea it was to abandon this group of young people for the safety of our schools, only to have them, along with their age group, become part of the alcohol trade! There was nothing more disturbing to me than having to play night after , night for the cash register, in a cloud of cigarette smoke, from 9 p.m.till 2 a.m.Talk about teaching young people bad habits.No wonder there were, and still are, so many underage drinkers in these places.Talk about effective marketing.I don’t think beer companies could ever have planned such a successful strategy.How do we make students feel part of our schools?Obviously not all children are disconnected from them, but when I was on the governing board of Massey-Vanier Regional High for two years in the earlier part of this decade, statistics claimed roughly a 40 per cent student dropout rate, most of the students being boys.When one considers that the majority of young wannabe rock stars are boys, things begin to fall into place.Radio Communautaire Missisquoi (RCM) wants to help.We want to develop, through community TV, community radio and the schools in our area, a music program that will focus on these Please see Music on Page 5 Summer is hear! A special request CJMQ attended the garbage pick up day held in Lennoxville last week-end.While the turnout was small in comparison to previous years, the spirit of the volunteers was great.The Sherbrooke Snow Shoe Club regularly seftds in an article to The Record; two weeks ago Cecil Blenkhorn announced the upcoming retro dance, on Saturday, May 12.He went on to make an advanced request for a specific tune that he would like to hear.CJMQ will provide music for this event and I would like to assure Cecil that I found his request and will be pleased to play it.We are pleased to announce that our seasonal itinerary is filling in nicely and we will indeed be covering a large portion of the Eastern Townships this summer.We are also very lucky in that we have found several people throughout the region who are willing to keep us informed on affairs going on in their area.If you would like to add yourself to this list contact us at 819-822-9600 ext.2298.You may have noticed that CJMQ was off the air Monday night for approximately two hours.Since we had our new transmitter installed outages are rare.In fact this was the first we’ve had since then — and it turned out it had nothing to do with the transmitter.The next suspect was a faulty generator, but that turned out to not be the case either.The most likely cause of the interruption is a fault in the telephone lines that carry our signal.I’ll keep you updated as we continue to look into what might have gone wrong.I would like to once more thank everyone for the warm support we received in our recent financial campaign to raise $70,000 to replace our broken transmitter.Thanks to you our new transmitter is humming along and we can look forward CJMQ, 88.9FM David Teasdale to many years of reliable service out of it.The next piece of equipment to change is our Ultramod unit.The cost of this piece of equipment was already factored Into the initial campaign so we already have the funds to replace it; we have been deciding on what to replace it with.Once that is done we will proceed with the purchase and installation.What does this mean to you, the listener?The Ultramod controls the basic sound of the station.Our old unit requires a - different input from the phone lines than what we are able to supply, so it is running at the limit of its capacity, which means it’s hard to get good sound out of it.What you will notice once it is replaced is a livelier sound with more distinct highs and more defined lows.We expect to have the new module installed by the end of May.We still haven’t corrected the problem in our antenna array; the required replacement part is proving to be harder to find than we expected, but I’m sure persistence will pay off.This piece of equipment doesn’t directly affect our sound so you won’t notice a difference when we change it.The most notable aspect of this part of the project is the three hours that we will be required to be off-air in order to change it.We schedule repairs like this for the wee hours of the morning, so the vast majority of our listeners won’t experience an interruption in service.Next week I will submit photos of the new transmitter that all of you helped us buy.It is a thing of beauty and should grace the cover of Glamour Magazine-hut then again, others may not agree.Summer is hear (not a typo!), so get out and enjoy it but take your portable radio with you and keep it tuned to CJMQ 88.9 FM.We are a great companion as you work around the yard, in the flower bed, or even while sitting on the porch.David Teasdale is station manager OF CJMQ 88.9 FM.wc* ¦ / PÉBRCHMum Summer camp From June 25th to August 17th at Bishop's University Choose your summer : 8 weeks, 8 topics, one completely crazy summer ! For more information : www.clse.qc.ca or 819-565-5062 •f firjwfjlion Québec 1 il scitNiiMqui oc mint UNIVERSITÉ BISHOPS rdr 'Tj I « 1 I page 4 May 4 - May 10, 2007 RECORD TALK English movies this week Here’s a quick look at the English-language flicks playing in the Townships this week.Please call the theatre first to confirm.Maison du Cinema Sherbrooke 819-566-8782 • The Hoax (2 hours) Friday, Saturday and Sunday at 1 p.m., 3:20 p.m., 7 p.m.and 9:15 p.m.• Last King of Scotland (2 hours) (with French subtitles) Friday, Saturday, Sunday: 3:30 p.m.and 9:20 p.m.Galaxie Cinema Sherbrooke 819-821-9999 • Spiderman 3 (140 mins, rated 13+) 12:30 p.m., 3:30 p.m., 7 p.m., 10:15 p.m.• Next (96 mins, rated 13+) 2:35 p.m., 4:35 p.m., 7:10 p.m., 9:30 Princess Theater Cowansville 450-263-5900 • Spiderman 3 May 4 at 7 p.m.and 9:15 p.m.May 5 at 2 p.m., 7 p.m.and 9:15 p.m.May 6 at 2 p.m.and 7:30 p.m.May 8 to 10 at 7:30 p.m.The Big Picture Project Richmond Regional High School 819-826-3068 • Cars May 5 at 2 p.m.• Pursuit of Happyness May 12 at 2 p.m.Theatre Lac Brome-Arts Knowlton Knowlton 450-242-2270 • A Simple Curve May 6 at 7 p.m.Johnny Reid: Cont’d from Page 15 powerful ballad of gratitude and love that will bring tears to your eyes.There’s also the first single released, ‘Love Sweet Love’, an upbeat number which is doing very well on the country music charts.Through the entire album, the listener can feel that Reid is more confident than ever and totally in control of his artistry.Whether you are listening to ‘Out of the Blue’, ‘Feelin’ Alright Today’ or ‘That Kind of Lonely’, you’ll go to familiar places in your own life.You’ll also find answers to questions you sometimes ask yourself in more introspective moments.Everyone will surely recognize ‘Dar-lin”, a great cover of an old Tom Jones hit.Reid makes it sound fresh by making it his own.The title track, ‘Kicking Stones’, takes us to a very personal place in Johnny Reid’s life.It’s about the years he spent in Scotland as a child and the memories — good and bad — that stayed with him.Set to a lush musical backdrop of pipes and a B3 (used in most R&B recordings), the result is phenomenal and haunting.This is a song that reminds the listener that Reid has roots in Scotland but also that no matter where your own roots might be, childhood memories are often similar.This album is about love and hope.It is very true to who Johnny Reid is, as a man as well as an artist.Many fans would love to hear him cover more traditional country music because he does it well, but this album shows a lot of integrity and talent and that’s what counts the most.Reid will perform Saturday, May 19 at 2 p.m.and 8 p.m.at The Piggery (in North Hatley).For reservations call 819-842-2431.Don’t miss this wonderful performance: Reid has always been an entertainer with a lot of energy and soul to spare.Galt Drama Alexander Galt Regional High School drama students are putting on William Golding’s Lord of the Flies.It plays at 7:30 p.m.from Tuesday, May 15 to Saturday, May 79.Tickets are $8; reservations at 819-875-5133.Briefs Church Street Cafe’s last hurrah The final Church Street Café of the season will feature folkies Bill Garrett and Sue Lothrop.Lothrop began her career in Lennoxville while studying at Bishop’s University in the 1970s.When not playing festivals or recording, she does music therapy with seniors.Garrett is a partner in Borealis Records, a recording company devoted to folk music, and in 2003 the two musicians released Red Shoes on Bo- realis.The title track was written in memory of Lothrop’s mother, who grew up in Lennoxville.Another song.The Hill, has Lothrop recalling her Sherbrooke childhood, meeting friends and walking up those long hills.Garrett and Lothrop will perform at the Church Street Café (in the church at the corner of Queen and Church streets in Lennoxville) on Friday, May 4.Doors open at 7 and the music begins at 8 p.m.Tickets at the door; call 819-875-5696.* fireman 5oAn&çj ouy.mj ||i w Announcing the new now With delivery www.sherbrookerecord.com to your dining room.THE RECORD iTHE, RECORD May 4 - May 10, 2007 page 5 TALK =—=^^=— Genesis: Cont’d from Page 1 from righty to lefty to adapt my drumming to be more like him,” said Levac who bears an eerie resemblance to the old rocker when he was in his prime The self-described Genesis freak cringes at the term “tribute band”, suggesting the goal is literally to recreate a “freeze frame”, a moment in time in the history of Genesis.J It s a reconstruction, Levac said, adding Turn It On Again recreates the infamous performance in Montreal’s Jarry Park on Aug.2, 1982 that ended in a riot.We have a mission.This mission is to reproduce — as much as we can — the real thing, and make people believe they are in front of Genesis and Phil Collins in 1982.That’s the goal.” rhe musical tribute has won over die-hard fans of the band across North America and Europe.It has also gotten the attention of the man at the centre of the original band: Phil Collins himself.“He came to play with us,” said Levac, noting Collins had spent the afternoon hanging out with Turn It On Again before eventually taking the stage with them at a show in Geneva, Switzerland.He was stunned.He told me, You re just like me.It’s like looking in a mirror.” Collins watched most of the performance from the audience, and then swapped places with Levac to anchor the show.“Watching my own band - all my friends on stage - and watching Phil Collins behind my drum kit, I realized it was quite an achievement for a bunch of Canadians in a cover band,” Levac said, adding with a laugh: “I could have died after that.” Phil Collins and a handful of original members of Genesis are touring once again, and will be stopping in Montreal next fall.Levac said what his group does is different.“People who see the Genesis show in September might be disappointed, because they’re not going to get what it was in ’82.” Levac was too young to be in the audience at that original concert himself, but he says his performance is meant to best represent the band as they were.“People want to see what they missed, or want to see again what they had the chance to see back then.I don’t know what it’s about, but it’s in the air.” Levac doesn't lament the fact he set aside his own solo career to play someone else s music, and step into Collins' shoes.He still writes his own music, and releases the occasional album, but being Phil Collins is his passion.It’s play time, all the time.“I m like a kid when I play Genesis.I’m 13 years old again.I get up on stage and pretend to be the guy two hours in the day.That’s cool.” Turn It On Again will perform the music of Genesis at the Granada Theatre on Friday, May 4 at 8:30 p.m.Tickets are $29.50.Styx! Long nme snerorooke resident Steve Forget — who impressed the members of Styx when he once auditioned to be their lead singer - is the star attraction in The Grand Illusion: Un hommage à Styx, at the Vieux Clocher de Sherbooke (1590 Galt St.W.).The show is Friday, May 11 at 8:30 p.m.Tickets are $15; call 819-822-2102.Music: Cont’d from Page 3 COURTESY It'll be just like the old days.Y///////////////////s//////////^ young people who have been left out of the “big” picture.If asked, they will tell you that the most important thing in their lives is their music and that their two biggest problems are trying to find gigs and getting media exposure.Being Who We Are is the name of RCM’s music program.It’s a TV show produced for community TV, a kind of “Star Search” thing that will pick the finest young aspiring artists out of the Townships music scene.It will be an on-going process.All of the shows for now will be recorded, video and audio, at Studio d’Enregistrement Musical 1492 in Waterloo.In the future, we hope to bring the final show of each “Being Who We Are” challenge to different schools in the region and begin the process of bringing our young musicians back to the schools and making our schools, once again, the main venue for their talents.I could never have imagined playing in an auditorium, when I was a young musician, like the ones in today’s regional schools, cégeps and universities, with proper lighting and sound reinforcement.We need teachers, students and - i/v.U11 wii-gwilig piuucàà.^ Itav-iicn, 31UUC11 Lo dllCJ Each challenge (lasting four months) will include parents interested in the recording and perform-six bands that will play off for the three top ing arts and sciences to be able to pull this off.spots.These bands will be included in a pool of Why leave it up to the bars and beer companies to musicians who will eventually make up a top 30 do it?play list of independent artists for RCM’s CIDI 99.1 FM community radio station, when up and running.In the meantime their music will be included on RCM’s monthly audio magazines: CDs that contain 80 minutes of CIDI programming, including music and interviews with locals, speaking directly to issues that concern us all.Each four-month challenge will produce four TV shows, one a month, with two bands playing off on each of the first three shows.For the fourth month, a final play off will take place*be-tween the top three bands from the three previous performances.A panel of judges and an Internet voting system throughout the challenge will decide the first, second and third place winners.Please contact me at.450-539-2098 if you feel you have something to contribute to this project and RCM.At the moment we are looking for music teachers and professional musicians who would be willing to become members of our panel of judges.Also, we are looking for any students who might be interested in participating in the video and audio production of the “Being Who We Are” music challenge.Needless to say, there wouldn’t be a contest if we didn’t have musicians, so if you can sing, play and write great songs give me a call or send your music to: “Being Who We Are”, PO Box 277, Waterloo, JOE 2N0.In order to qualify you need to have original material.Maurice Singfield is vice-president of the board of directors, a volunteer and CIDI’s program DIRECTOR FOR RCM. I TM K, page 6 May 4 - May 10, 2007 Your new HDTV?RECORD TALK Tech Ifs already out of date CanWest News Service Vancouver That high-definition television set you bought for Super Bowl?Already outmoded.The HDTV you’re about to hustle home with to watch the Stanley Cup playoffs?Yesterday’s set within a few months.Recognize the pattern?It’s the market-driven, upgrade-centric one you’ve experienced when you go to buy a computer.And you’d better get used to it, according to the HDTV research group at the school for interactive arts and technology (SLAT) at British Columbia’s Simon Fraser University.“Our guess is that the days of stable video technologies are long gone,” said assistant professor and media scholar Jim Bizzocchi, one of the four researchers who make up the team.“The good news for consumers is that picture quality will continue to get better and better for the foreseeable future,” added Bizzocchi, also a cinematographer.“The bad news is that you’re always going to be caught in a purchasing cycle if you want the latest and the best television.” There are three areas where improvements are most likely to take place; and not only consumers, but producers and broadcasters will be scrambling to keep up: • HD picture standards, which just recently made the leap from 720p (720 lines of vertical display resolution) to 1080p — the latter usable only if you watch HD DVDs, will likely continue on to a standard called 4k, or almost four times 1080p.• Increased dynamic range which allows for vastly superior contrast and approaches what the human eye can see in terms of detail that can be seen in shadows and in highlights.• Increase in frame rates — now at 60 frames per second for 1080 — which would also offer a better picture.Another area, being inves- tigated by computing science professor Tom Calvert, is that of three-dimensional television.“All of these things tend to make the screen disappear,” said Bizzocchi.“And instead of staring at a screen you’re looking through a window.” As well, picture size will get bigger.“And these new visual capabilities will get rolled out incessantly, just like new computer capabilities are rolled out incessantly.” Advertising, as it is with other high-tech gear, will focus on specs — like 1080p - that will soon become part of the vocabulary of TV buyers everywhere.Just as with computers, said Bizzocchi, the adoption of the television breakthroughs will be on a broken front.“When you buy the latest machine with the latest technology there’s going to be limited content available and the innovators and the early adopters will go for that.Then, gradually, more and more people in the mainstream will buy it and gradually there will be more and more content available.” Then mainstream purchasers will come into the market and prices will drop and then there will new innovations for the early adopters.“We believe this cycle will continue,” said Bizzocchi.Although broadcasters, especially those in Canada, have not been swift to adopt new standards such as HD, they won’t have any choice in the future.“What does broadcasting mean now?Well, you’ve got cablecasting, satellitecasting and you’ve got Internet broadcasting,” said Bizzocchi.“So, just as the world of standards in video technologies is long gone I think the orderly broadcast universe is long gone or is in the process.” I On the plus side, picture quality will keep getting better and better.A major influence on this is the mandated move to digital TV in the U.S.by April 2009, said fellow researcher Bel-gacem Ben Youssef, an assistant professor at SLAT.“And that’s a factor that’s going to help converge the technology from broadcasters and TV studios, you name it.And Canada will follow suit.” One of the areas the SFU group is investigating is the use of television to provide art for people’s living rooms and other areas in their homes.“We will use this beautiful screen, this elegant screen in our living room for living video paintings,” said Bizzocchi.Art images that will appear on consumer’s home screens will likely be in three areas: • Generative art, somewhat similar to that of the screen saver or the music visuals produced by the Windows Media Player or iTunes.• Interactive art will be produced by sensors either in the television screen itself or placed around the - room.The images, which might come from a data base of themed photos, could change according to how people were seated in a room or how they moved about.• Purely cinematic art with no interactivity and no generation of changing imagery, but a film, with sound (which could be turned down) that could either be watched or simply become part of the room’s ambience.“They’re not narrative and we’re not required to watch it, but any time we do watch will give us visual pleasure,” said Bizzocchi, who added that artists in the future, who create for this medium, will need to work in co-operation with computer scientists such as Ben Youssef, in order to help get their creative ideas across.He said the same type of collaboration was happening within the HDTV Research Group at SFU as they developed their ideas on the future of TV.The fourth researcher at SIAT is director John Bowes, who is looking at the policy implications of the introduction of technology into society. RECORD May 4 - May 10, 2007 page 7 TALK —= Master of the macabre A Poe for the 21st century Tjhis week’s pick demonstrates just how.far a skilled writer can take readers into unfamiliar territory and terrifying events, and get into their minds.A gripping storyline, combined with believable characters and a strong sense of place, lift this novel out of the ranks of the commonplace and into the very top tier of contemporary crime fiction.In the process it raises an intriguing question: which is more fearful — death, or dying?Peter James To say that Peter James has led an interesting life would be something of an understatement.Born in 1948, James graduated from Charterhouse (a prestigious independent British school whose roots go back to the early 17th century), and Ravens-bourne Film School.To date, his 13 novels have been translated into 28 languages, include number one best-sellers, and have garnered multiple international prizes.In addition to his writing credits, James has also produced several films, including The Bridge of San Luis Rey, starring Robert De Niro, and The Merchant of Venice, starring A1 Pacino, Jeremy Irons and Joseph Fiennes.Since its publication, Dead Simple has won both Le Prix Coeur Noir (2006) and Le Prix Polar International (2007).James was also awarded the Krimi-Blintz prize in Germany for Best Crime Writer of the Year.Peter James divides his time between a Georgian manor house in Sussex and a flat in Notting Hill, London, and shares his life with Bertie and Phoebe, respectively a Hungarian Puli Sheepdog with dreadlocks and a German Shepherd with a fondness for rabbits.When not writing he collects classic and modern cars.Dead Simple (Pan Books, 2005) Michael Harrison is one lucky guy.Senior partner in a successful property development firm, he’s just days away from marrying the breathtakingly beautiful Ashley Harper.But before that happens, Michael’s mates — Josh, Robbo, Luke and Pete — take him on a traditional Stag Night Out.Well, maybe not quite so traditional.Three nights before Michael’s wedding, after getting him pleasantly sozzled, his friends drive Michael to a remote spot in the Sussex countryside and place him in a coffin, with only a breathing tube, a girlie magazine, a flashlight, a bottle of whisky, and a walkie-talkie for company.Then they bury him in a shallow grave and set off for the nearest pub in their borrowed green transit van.The idea, of course, is to let Michael sweat: payback time for the various practical jokes he’s played on his mates in the past.But fate has a way of having the last laugh.On the road the lads taunt Michael with their walkie-talkie, the other end of his lifeline.When the driver is distracted the van is involved in a terrible road accident, a head-on crash with a large lorry.Three of the four lads are killed instantly, and the fourth winds up in hospital, comatose and on life-support.When a tow-truck driver arrives at the scene, his intellectually-challenged son Davey finds the walkie-talkie, but does not realize its significance.Afraid his father will be angry with him for keeping it, Davey hides it in his room and does not tell Stisl ' Sentences Jim Napier PETER JAMES FOUR BODIES ONE SUSPECT NO TRACE Non-Fiction Bestsellers 1.The Weather Makers, Tim Flannery 2.Stumbling on Happiness, Daniel Gilbert 3.God Delusion, by Richard Dawkins 4.The Secret, by Rhonda Byrne 5.Freakonomics, by Steven Levitt 6.The Tipping Point, by Malcolm Glad-well 7.Blink, by Malcolm Gladwell 8.Wikinomics, by Don Tapscott 9.Eat, Pray & Love, Elizabeth Gilbert 10.Measure of a Man, by Sidney Poitier Fiction Bestsellers 1.Helpless, by Barbara Gowdy 2.Shopaholic & Baby, Sophie Kinsella 3.The Road, by Cormac McCarthy 4.Divisadero, by Michael Ondaatje 5.Book of Negros, by Lawrence Hill 6.Bloodletting and Miraculous Cures, by Vincent Lam 7.Children of My Heart, Gabrielle Roy 8.On Chesil Beach, by Ian McEwan 9.You Suck, by Chris Moore 10.Lullibies for Little Criminals, by Heather O’Neill — Bishop's University Bookstore I anyone about his puzzling new friend on the other end.And as the batteries weaken in his flashlight, Michael discovers a new horror: groundwater is infiltrating the coffin.When Michael does not appear the following day, his fiancée learns of the road accident.She is desperate to locate Michael, but the police have little to go on.The plot thickens when Michael’s business partner, Mark Warren, learns about the accident.Originally part of the scheme, he had been delayed from participating due to a business trip.Mark realizes that Michael’s misfortune might be his good luck.All he has to do is profess his ignorance about Michael’s disappearance, and remain silent.Assigned to what seems to be a simple missing persons case, Detective-Superintendent Roy Grace risks his superior’s wrath by calling on the skills of a local clairvoyant to help find Michael before it is too late.Maybe Michael is not so lucky after all.My Recommendation A well-paced, skillful blend of police procedural and gripping suspense.James’s use of the omniscient point of view is key to his creating a sense of urgency to the plot.His description of Michaels’ desperate attempts to escape his grave is eloquent in its sense of urgency: Michael pressed the talk button.‘Davey?’ Silence.f 30% OFF % i BEST SELLERS EVERY DAY • Sherbrooke's English Language Bookstore -sK—- Bishop's University Bookstore 2600 College St., Sherbrook, Q.C.Phone: 819-822-9600, ext.2241 *Selected Bestsellers.He pressed the button again.‘Davey?Hello?Davey?’ White-satin silence.Complete and utter silence, coming down from above, rising up beneath him, pressing in from each side.He tried to move his arms, but as hard as he pushed them out, walls pressed back against them.He also tried to spread out his legs, but they met the same, unyielding walls.Resting the walkie-talkie on his chest, he pushed up against the satin room inches from his eyes.It was like pushing against concrete.Dead Simple is not for everyone — in particular readers who are claustrophobic.But get beyond that and you’ll be richly rewarded with an engrossing, original, and exquisitely-crafted tale of love, trust, greed and betrayal, with an action-packed surprise ending.Peter James is a master of the macabre, a 21st century Edgar Allan Poe, and Dead Simple is quite simply one of the finest crime thrillers I’ve read in a very long while.The second novel in the Roy Grace series, Looking Good Dead, spent seven weeks among the top 10 books in Britain’s Sunday Times, and has been shortlisted for Britains’ Crime Thriller of the Year.On June 1, Not Dead Enough, the third novel in the Roy Grace series, is scheduled to be released.Jim Napier can be reached at jnapi-ER@SHERBROOKERECORD.COM.BLACK CAT BOOKS Your Global Village Bookstore online at www.abebooks.com New & Used Books Gift Certificates Special Orders Open 7 days a week 10-5 168-E Queen Street Lennoxville, QC Tel.819-346-1786 c blackcat@netrevolution.com www.bishops.bkstr.com i THE, page 8 May 4 - May 10, 2007 RECORD =———““5 TALK A long time ago in a galaxy far, far away A great adventure took place By Katherine Monk CanWest News Service America was in decline.The King of rock ‘n’ roll was found dead on the floor of his Grace-land bathroom.Groucho Marx had his last laugh.The American economy was sliding and the New York blackout left nine million without power, throwing a hint of doubt into the great Empire’s image of technological superiority.Making matters all the worse, then-president Jimmy Carter warned Americans of a “national catastrophe,” saying citizens must respond with “the moral equivalent of war” in order to make “profound changes” in their oil consumption.According to most historical accounts of the day, 1977 was not a good year for America.Yet, amid a wasteland of political paranoia, cultural transformation and technological change, there was A New Hope: Star Wars Episode IV.At the time of its release 30 years ago, May 25, 1977, the movie — which was then simply called “Star Wars” — was considered little more than popcorn matinee material.Despite the success of Steven Spielberg’s fear-driven phenomenon Jaws, most Hollywood power-brokers believed the great white shark spectacle to be a fluke — a strange coincidence that brought movie magic, behind-the-scenes bickering and technological bravado together in one splendid monster movie.But when Star Wars turned on the warm jets and made the summer of ’77 a steaming whirlpool of box-office profit, Hollywood changed forever.“1 was right in the middle of the action when Hollywood first spun off its axis,” says Variety editor Peter Bart in his book Who Killed Hollywood?“Unexpected blockbusters such as Jaws, Star Wars and E.T.forever changed the way the film factories were regarded by the moneymen.Watching the lines wind around the block at theatres in the U.S.and overseas, the Michael Eis- ners and Rubert Murdochs of the world recognized that movies were not just a business but a downright bonanza.If a film could make $500 million almost inadvertently, why not build an assembly line that would systematically tap into those markets?” Bart’s observations about the defining moments in late-’70s cinematic history are dearly set in a specific light (as suggested by the title of his book), and infer a negative read of the franchise that made Star Wars creator George Lucas the undisputed King of Nerdsville to an entire generation.But whether you mark the mid-’70s as the beginning, or the end, of American cinema is really just a matter of opinion and esthetic.The truth remains: Hollywood changed forever in the wake of a mechanical shark and an interstellar western, heralding the arrival of tentpole “event movies” that managed to achieve universal appeal, and set the movie industry on an increasingly corporate course where art would always take a back seat to profit potential and baseline sensibilities.While Spielberg, Lucas and James Cameron are typically fingered as the central villains in the art-versus-com-merce debate, it seems unfair to tar and feather them in isolation.A film, like any artifact, is an expression of its era and contains within it a million reflections of the world that spurred its creation.Quite simply, Star Wars could not have achieved its towering success without appealing to the specific needs of the Zeitgeist, and with that in mind, let’s take a timely look back at the reality that gave us the ultimate fantasy.America was in a death spiral: Rising oil prices, the loss of militaristic self-esteem in the wake of Vietnam, a frosty Cold War, the Watergate hangover, and increased social tension as the result of continuing feminist and ethnic pressure to make the corridors of white-collar power accessible to all, pushed A LONG TIME AGO IN A GALAXY .FAR, FAR AWAY/,.America into a moral corner.Needing to see itself as a world hero, yet increasingly aware of its own social injustice, the American psyche was demonstrating signs of bipolar disorder — even on the movie screen.From the manic, fantasy-driven highs of Star Wars to the bleak depths of Julia and mixed emotions in Annie Hall, the year in movies seemed just as fragmented as America itself.Lucas probably had no intention of creating a moral time capsule of his era when he set out to make Star Wars.The director was still largely associated with the success of American Graffiti — a small film steeped in Americana with a hint of edge.As a result, the USC film school grad was seen as a “next-generation” auteur alongside Martin Scorsese and Francis Ford Coppola.Only a fool would have spotted him as the next Cecil B.DeMille.Even the budget for Star Wars looked relatively modest — especially by today’s standards — at just over $11 million.But just weeks into its theatrical run, it was already showing signs of accelerated growth — eventually raking in $1,172,026,900 US worldwide (in adjusted dollars), making it the second-most successful film of all time (according to ticket sales and adjusted dollars) after Gone With the Wind, which raked in a staggering $1,329,453,600 US over the course of its domestic and international release.Though Hollywood insiders and studio executives are always loathe to see the larger reasons behind a film’s success — hoping to hog the credit for themselves and their keen eye for timely material — historians know there’s no such thing as an isolated cultural phe nomenon.Gone With the Wind tapped into an audience of more than a million book-lovers who lapped up every sticky word of Margaret Mitchell’s prose, but it also " — TH t.marnrnmm—.RECORD TALK May 4 - May 10, 2007 page 9 J&r - i P'fescfc DlcüN^ played to a rising sense of pre-War xenophobia, as well as epic greatness.The movie was a technological and sociological event that remains the high watermark of Hollywood’s Golden Age - even though it dealt with the ugliest chapter in the nation’s history: The Civil War.The success of Star Wars can be seen as the result of similar social and technological factors.For starters, the science-fiction genre had been legitimized the decade before by the likes of Stanley Kubrick, who crafted an elegant and abstract space movie in 2001 : A Space Odyssey, as well as Jean-Luc Godard (Alphaville, 1965) and Francois Truffaut (Fahrenheit 451).In addition to authors such as Kurt Von-negut, who also brought mainstream and academic appeal to the science-fiction genre, America was already familiar with images of real astronauts on television as a result of the very real “space race.” From being the black sheep of the American film genre family in the 1950s, science-fiction was no longer the idiot cousin of real drama when Lucas started writing his space saga.If anything, the form was poised to take advantage of recent film innovations such as computer-assisted cinematography, Dolby sound and early digital effects.Fantasy didn’t have to look cheesy anymore.It could tell its story without tripping over awkward costumes and jiggling miniatures.Lucas not only took advantage of every current technology, he invented more of his own, perfecting sound-de-livery systems and developing computerized shots that made matting and blue-screen scenes appear seamless.Yet, all the technological advancements in the world couldn’t have made Star Wars the success it was had it not struck a populist chord and touched something deep inside the American psyche.After all, very few films find their way into a presidential lexicon, but Star Wars seemed to guide Ronald Reagan’s speechwriters, who used the Where mere you in'62?film to promote moral certainty with the line “the Force is With Us” and grabbed the Star Wars moniker for the Strategic Defence Initiative (SDI).For film historian Joseph Sartelle, the success of Star Wars and other blockbusters of the era were the result of America’s craving for jingoistic junk food.“The Star Wars and Indiana Jones movies, for example, were allegories of international relations: They sought to restore faith in the American ability to compete and perform successfully in a global political economy,” says Sartelle.“The Star Wars trilogy imagined the Cold War as a battle in which the Rebel Alliance — composed of white heroes and their differently speciesed (sic) helpers in a pastiche of American pluralism, prevails over the evil Galactic Empire, whose military men wore uniforms that looked suspiciously like those of the Soviets." In short, Star Wars allowed Americans to buy back into the romantic dream of David-vs.-Goliath greatness — where they were the David, and not — despite ample evidence to the contrary — the Goliath.In this regard, it’s no wonder Star Wars became the psychological aloe to soothe a sunburned soul, but the ultimate reason for Star Wars’ success comes down to sheer escapist delight — Hi 9 A; Hi; If Awards A LF.SIJF, HOWARD OIM\dcHA\lLLAND In new screen splendor.The most magnificent picture ever! DAVID O.SELZNICK'Sproductonof margaret mitchelb , * ; ms miM > > be it escapism from a political reality, or a personal one.“Everyone who sees Star Wars has precisely the same experience,” declared film theoretician David Cook, who mourned the subsequent loss of ambiguity in American film.Where 2001 showed man in a somewhat existential relationship to his universe, Star Wars threw him into the familiar black-and-white terrain of the old western.Yet, despite the film’s formulaic narrative and simplistic moral view, even The New Yorker magazine found something to love in Lucas’ array of “strange spacecraft, shaped like opened grape scissors, silver platters and crossed fish forks.” Said critic Penelope Gilliatt, summing up the reasons for Star Wars’ success in one sentence: “The movie is exuberantly entertaining." cîneï entertainment.Galaxy Sherbrooke Sherbrooke 4204, boul.Bertrand-Fabi MOVIE INFO 81&-82Î-9999 lex GALAXY 4# SHOWUMES EFFECTIVE MAY 4TH TO MAY IOTH TIREUR D’ELITE (IB* & Violence) Every day: 13:10, 15:50, 18:55,21:45 FRACTURE (FV) (IB*) Every day: 12:40, 1540, I&50, 21:25 SPIDER-MAN 3(FV) (G * Not reconwicndfd for young chfldnn) NO PASSES ACCEPTED Every day: 13:00, 16:30,20.00 SPIDER-MAN 3(FV) (G * Not recanmndri for young cMdren) NO PASSES ACCEPTED Every day: 1300, 16:30, 2000 A VOS MARQUES- PARTY! (G) Every day except Wed: 12:50, 15:30, 1900, 2140 Wed: 15:30, 1900,2140 CONDAMNÉS (13* & Violence) Every day: 12:55, 1545, I&55,21:35 PARAN0IAK (13* Violence) Every day: 1305, 15:35, 1905,2145 NEXT (OV) (13*) Every day except Wed: 12:30, 14:35, 16:35, 19:10, 21:30 Wed: 14:35, 16:35, 19:10,21:30 QUAND EST-CE QU’ON ARRÊTE (G) Every day: 12:30, 14:35, 16:35, 19:00 VACANT (13* Violence) Everyday: 2130 SPIDER-MAN 3(0V) (G * Not reccmncndld far young cMdren) NO PASSES ACCEPTED Every day: 1230, 15.30, 19:15, 22:15 SPIDER-MAN 3(FV) (G * Not recomneided for young dddret) NO PASSES ACCEPTED Every day: 12:40, 15:40, 19:25, 22:10 SPIDER-MAN (FV)(G* Not*- ommended for young children) NO PASSES ACCEPTED Every day: 12:15, 15:15, 19:00, 2200 STARS & STROLLERS MOVIES Choice of 2 movies: Wednesday, May 9 at I pjn.À VOS MARQUES- PARTYt or NEXT (OV) PAGE 10 TALK OF THE Townships May 4 - May 10, 2007 WEEKDAYS MORNING Station Guide 6AM 6:30" 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 11AM 11:30 1YWIE1 f] News The Early Show Rachael Ray The Greg Behrendt Show The Price Is Right A (CC) I7ITO B News Today Live With Regis and Kelly Martha B CBC News: Morning (CC) Arthur (CC) Lunar Jim (CC) Curious George Pinky Dinky Doo Poko The Save-Urns! Wilbur (CC) Doodlebops The Gill Deacon Show müm b (5:30) Salut, bonjour! (SC) Deux filles le matin Tout simplement Clodine (SC) Michel Jasmin (:45) Le TVA midi m\ivi b (5:00) News (CC) Good Morning America Live With Regis and Kelly Martha The View tn:n:i Q Pouic Les Hoobs (SC) Les Calinours Les Schtroumpfs Le Téléjournal matin (SC) Des kiwis et des hommes (SC) Ricardo Un monde à part id This Morning Live (CC) 100 Huntley Street a (CC) World Vision Past Lives Room to Grow rrera ia News a (CC) Canada AM A (CC) eTalk A (CC) MTVe2 Live With Regis and Kelly The View imre m America This America This Good Morning America Maury Dr.Keith Ablow The View kYl'ltM §H Paid Program First Business Varied Programs Fresh Prince Home Improve.Paid Program Paid Program Paid Program Maury The People's Court (CC) ED Caféine (SC) L'Avocat et le diable Movie Varied Programs IViHilJ Home Improve.Paid Program First Business Varied Programs Malcolm-Mid.Paid Program Judge Joe Brown Judge Joe Brown Jerry Springer Judge Mathis iVlÀi’A BBC World News Varied Programs Maya & Miguel Arthur Curious George Clifford-Red Dragon Tales Big Big World Sesame Street Caillou Barney & Friends V.'IHA BBC World News Wai Lana Yoga Teletubbies Thomas-Friends Sesame Street Mister Rogers Clifford-Red Dragon Tales Big Big World Big Comfy Couch Barney & Friends EB Paid Program Paid Program The District 24 Crossing Jordan City Confidential American Justice Firrron btreet Legal Varied Programs w:ro American Morning (CC) Newsroom Mm Varied Programs Daily Planet Varied Programs Him Frontiers of Construction Masterminds Disaster-Cent.Varied Programs Great Train Stories Frontiers of Varied Programs Crime Stories I:i0l hui en direct (SC) Le Téléjournal matin (SC) RDI en direct (SC) FTTTÏT71 Andromeda Tarzan Tarzan Kung Fu: The Legend Continues North of 60 Doc Paradise Falls Paradise Falls nirre Sexy Girl So Chic-Steven The Mom Show Three Takes Varied Programs uu Magic School Bus Hip Hop Harry Hi-5 Wilbur Bigfoot Present Peep A Baby Story A Baby Story Bringing-Baby Bringing-Baby A Wedding Story Little People CCK1 Paid Program n Paid Program A Paid Program n Paid Program Varied Programs Star Trek: The Next Generation Star Trek: Deep Space Nine V.I.P.re:i iponscentre (CC) SportsCentre (CC) SportsCentre SportsCentre SportsCentre Varied Programs SportsCentre (CC) t'Mhiil Varied Programs Hope Island Daily Mass (CC) Varied Programs Life Today (CC) Believer’s Voice Quick Study A This Is Your Day tt’s a New Day A (CC) WEEKDAYS AFTERNOON Station Guide 12PM 12:30 ”| 1PM 1:30 2PM 2:30 3PM 3:30 4PM 4:30 5PM 5:30 iVM.VA B Across the Fence me Young and the Restless Bold, Beautiful As the World Turns Guiding Light The Ellen DeGeneres Show Dr.Phil rraH q Judge Lopez Judge Lopez Days of our Lives Passions Judge Judy Judge Judy Oprah Winfrey News News FTl’Ti O CBC News: Today CC) Living Montreal What’s-Dinner The Gill Deacon Show Canadian Food Little Miracles Frasier Varied Programs The Simpsons Arrested Dev.ihuai a Le TVA midi TVA en direct.com (:45) Shopping TVA Infopublicité Les Feux de l'amour (SC) Top modèles (SC) Le 17 heures (SC) kVIi'.iiVI a News (CC) Access H wood All My Children One Life to Live General Hospital The Ellen DeGeneres Show Dr.Phil M'K-IH Q Téléjournal Kif-kif Movie * La Firme de Boston 4 et demi Rumeurs Pin nil fit Open Homes Whose Design Days of our Lives As the World Turns Room to Grow Passions The Young and the Restless Global National m [News A (CC) Degrassi: Next Bold, Beautiful Sue Thomas: F.B.Eye General Hospital Oprah Winfrey Dr.Phil t'iYLYJ m Paid Program Paid Program All My Children One Life to Live General Hospital The People’s Court (CC) Family Feud A Be a Millionaire rwi eg Divorce Court Judge Joe Brown Judge Alex Judge Alex Judge Mathis Jerry Springer Judge Joe Brown Divorce Court According to Jim Every-Raymond IHJIt-i ED Le Journal du midi (SC) (:29) Flash (SC) Movie Les Simpson Le Grand Journal ( SC) rTniiij me Tyra banks Sn DW Paid Program Paid Program My Wife and Kids Malcolm-Mid.Paid Program Family Feud A Maury The People s Court (CCj 1 VHi’.i Between-Lions Mister Rogers Reading Rainbow Charlie Rose n (CC) Varied Programs Curious George Postcards-Buster Arthur Maya & Miguel Cyberehase Varied Programs I7W33 varied Programs Reading Rainbow Curious George Cyberchase Arthur Maya & Miguel Caillou Homework riT.Ti Cold Case Files Cold Case Files 24 Crossing Jordan City Confidential American Justice fïï:7AY.1 Street Legal Law & Order Without a Trace Inside the Actors Studio Movie Varied Programs GEEJ Your World Today (CC) Newsroom The Situation Room Daily Planet Technology, nature.Varied Programs i:im U3i: NT varied Programs Disasters of the Century Frontiers ot Construction Sea Hunters JAG 1:1'll Téléjournal Le Club des ex RDI en direct Le Journal RDI |(:45) RDI Junior HÜ'Y.'J Anaromeaa New Addams New Addams Kung Fu: The Legend Continues Silent Witness The Glass Three Takes Martha The Mom Show Varied Programs Opening Soon Extra (CC) tira What Not to Wear 10 Years Younger 10 Years Younger A Baby Story Bringing-Baby Bringing-Baby A Baby Story Trading Spaces: Family Take Home Chef Take Home Chet Varied Programs Star Trek: Deep Space Nine Star Trek: The Next Generation Star Trek: The Next Generation Star Trek: Voyager Star Trek: Voyager rem varied Programs ATP Tennis Varied Programs Interruption rz»nn:i Viva Pinata Captain Flamingo George Shrinks Brady s Beasts LazyTown Winx Club Martin Mystery |Jimmy Neutron jDanny Phantom | Robot Boy jFairly OddParents SpongeBob 1 j ”, j , .0 , 4 * t b” Jacob abuses CSI: Miami 1 17.VM Street Legal ‘Partners and Other Stranger^' A (CC) BravolVideos A Bravo! Fact Presents A Behind the Movies (CC) Hidden Howie: The Private Life Godiva’s Kate convinces a columnist to visit.(CC) Entourage “Talk Show" Vince appears on a talk show.A (CC) Law & Order “Blaze” A (CC) Without a Trace A (CC) rmn Lou Dobbs Tomg it (CC) The Situation Room Paula Zahn Now (CC) Larry King Live Bill Maher.(CC) Anderson Cooper 360 (CC) Larry King Live Bill Maher Mm How It s Made (CC) How It’s Made (CC) Dajjjf Planet Technology, nature.Canada's Worst Handyman II 1 Shouldn’t Be Alive Boulder traps Australian hiker.(CC) A Haunting “Cursed” A house In Tucson.Ariz.(CC) Dajjjf Planet Technology, nature.1 Shouldn’t Be Alive (CC) IM Masterminds n (CC) Things That Move n (CC) CSI: NY "Super Men ' A (CC) Underworld Histories “Las Vegas” A (CC) Warriors of the Night “The Big City” n (Part 3 of 4) (CC) CSI: NY “Super Men" A (CC) Crime Stories Businessman suspected in partner s murder.(CC) Movie “Michael 1:101 Dominique Poirie en direct (SC) Grands reportages Reportage sur l’atoll de Hao; Nauru.(SC) Le Téléjournal (SC) Rendez-vous de Marie-Claude Le National (SC) Le Téléjournal (SC) Le Journal RDI H?MVi The New Addams Family The New Addams Family Andromeda Trusting the Gordian Maze" A spy tempts Dylan.(CC) Doc "Welcome to NY” n (Part 1 of 2) (CC) Bliss “Tying Up Gerarld'7 (CC) G-S (CC >ot “HBO” A (:01) Webdreams A 031) Family Business n (:08) Sin Cities ’’Brazil” (CC) :38) Porno Valley A (CC) (12:08) Webdreams (CC) FTÏT41 Three lakes The scoop on how people cheat.(CC) Matchmaker A 1ÇÇ) Skin Deep “Carrie and At The End of My Leash(CC) | Outlaw In-Laws 1 (ÇC) Brat Camp n (CC) UpRooted (CC) The Last 10 Pounds At The End of My Leash(CC) Outlaw In-Laws (CC) Brat Camp A (CC) ÜQ Property Ladder “Wrong Turn Remodel" (CC) Take Home Chef ‘‘Yvette’’ Take Home Chef Potpies.What Not to Underwear (CC) What Not to Wear “Sarah D.” (CC) What Not to Wear “Jennifer N.” (CC) What Not to Wear “Sarah D.” (CC) What Not to Underwear (CC) nrm CSI: Crime Scene ' Mea Culpa” n (C Investigation :C) (DVS) CSI: Crime Scene Investigation ”4x4" A (CC) (DVS) CSI: Crime Scene Investigation “Dog Eat Dog” A (CC) (DVS) CSI: Crime Scene Investigation “Committed” A (CCj(DVS) UFC Fight Night A Whacked Out Sports A iTT71 Oft the Record (CC) SportsCentre (Live) (CC) NHL Hockey Eastern Conference Semifinal Game 5 - New York Ranqers at Buffalo Sabres, i From HSBC Arena in Buffalo, N.Y.(Live) That's Hockey Playoff Edition SportsCentre (Live) (CC) NASCAR Racing É Circuit Oitv rSi îusch Series -• ime-riav Tarai :05) The Fairly OdoParents A (.20) Robot Boy n (CC) 005) Team Galaxy A (CC) I Fantastic Four n (CC) | Naruto A (CC) j Zatch Bell n [££] Inuyasha A (CC) Gundam Seed Destinv (CC) Full Metal Alchemist A Bleach Ichigo’s mother’s death.Eureka 7 “Absolute i Gundam Seed A Invader Zim A [CC) (CC) Station Guide 8AM 8:30 9 AM 1 9:30 | 10AM 10:30 11AM 11:30 12PM 12:30 1PM 1:30 2PM 2:30 3PM 3:30 cthtxa o Trollz “Mirror Mirror” Horseland A mm.Saturday Early Show a (CC) Cake “Baby Blues" (CC) Dance Revolution! The Bean Ab Workout Paid Program NCAA Winter Highlights Show (CC) Golf PGA of America Style (CC) PGA Golf Wachovia Championship •- Third Round.L'.’iJrl Q (7:00) Today A (CC) Teen Kids News Critter Gitters Babar Arqument.Dragon a 3-2-1 Pen quins! VeggieTales (EIÏÏCC) Jane & the Draqon (El) Jacob Two Two (CC) Paid Program Paid Program NHL Hockey Western Conféré Jose Sharks at Detroit Red Wii rice Semifinal Game 5 - San las (Livel A ICC) urn a Wilbur (CC) George Shrinks Arthur (CC) (DVS) Secret World of Og (CC) My Goldfish Is Evil (CC) Maple Shorts (CC) Angela Anaconda Mr.Meaty (CC) Chilly Beach (CC) Chilly Beach (CC) Make Some Noise (CC) Street Cents (CC) Figure Skatinr Free & Ladies' 1 World Championships - Ladies Short, Dance Free From Tokvo./CC) RTTT1 a (6:30) Salut, bonjour! week-end Transformation extrême A l(SC) Dans ma caméra Par-dessus le marché Le TVA midi (SC) Via TVA Infopublicité Shopping TVA Infopublicité 4- .\ 1 Infopublicité Infopublicité t'.'j.'ii'.ï a Good Morntnq America (CC) Emperor New The Replacement That's So Raven (CC) That’s So Raven (CC) Hannah Montana Suite Life of Zack & Codv Patriots All- Access Paid Program NBA Access With Ahmad Paid Program Build.Wealth A Mother's Da on Ice y Celebration Lighter Side of o ports rrrm q Les Calinours ISÇ] Les Schtroumpfs Code Lyoko (SC) Kong(SC) Le Projet zêta Chasseurs de draqons Mystèr- Moville Hôtel Bordemer Le Téléjournal/M Art circuit (SC) L’Accent (SC) 1.888.0iseaux (SC) Ça vaut le déti our (SC) Cinéma “Miss Meurtre au pn Marple -ssbytère” fHIt.’.lf 0) Fish’n Canada Going Fishing (CC) Real Fishing (CC) Fishing the Flats Paid Program Sid’s Cycle Show (CC) Making the Cut Three top players remain.(CC) Driving Television Will & Grace A(CC) Will S Grace A(CC) That 70s Show (CC) That 70s Show (CC) That 70s Show (CC) That 70s Show (CC) That 70s Show (CC) tHJHJ (0 Good Morning Canada A (CC) Amnesty Inter "Candle of Ho national pe” (CC) Daily Planet A (CC) I Fantasy Lands A (CC) PLAN Canada “Destination Hope” A (CC) Car Business Unwanted in New Zealand MTV Shuffle r 1 (CC) t'.yj.Tj m Good Morning America l(CC) Emperor New The Replacement That’s So Raven(CC) That’s So Raven (CC) Hannah Montana Suite Life of Zack & Codv Power Ranqers Power Rangers Paid Program I Paid Program Paid Program Paid Program Instant Fisherman Paid Program rron 03 Winx Club A (El) (CC) Viva Pinata n (CC) Mutant Turtles Viva Pinata A (CC) Teenage Mutant Ninja Chaotic n m Sonic X A (CC) Yu-Gi-0h! (CC) This Week in Baseball Tim McCarver Movie “Ransom”(1996jSum lenselMel Gibs urns the tables ion, Rene Russ on his son’s a io, Gary bductor.MLB Baseball ed Infopublicité Hamtaro Box-office (SC) Expédition plein air RPM (SC) Infopublicité Infopublicité Infopublicité Les Bolés (SC) I Cinéma “Godzilla 2000” (2000) Takehiro Murata.Godzilla I entre en lutte avec une entité extraterrestre.(SC) 'Cinéma “La M (1999) Jan Rui aison hantée” }e$.(SC) nniij Winx Club A (El) (CC) Viva Pinata n (CC) Mutant Turtles Viva Pinata A (CC) Teenage Mutant Ninja Chaotic A (CC) Sonic X A (CC) Yu-Gi-0h! 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